Powerhouse Parramatta opening and suspended CEO Lisa Havilah, Digi Mart USA News (Sydney, Australia): The New South Wales government’s biggest cultural investment in more than half a century will open on Saturday, but its suspended chief executive, Lisa Havilah, is “devastated” to miss the ribbon-cutting and is increasingly unlikely to return.
Havilah’s legacy was acknowledged by Powerhouse Trust president David Borger at a celebratory sit-down dinner for 200 donors, staff and VIP guests on Thursday night. News also filtered through that the board he leads had referred conflict-of-interest matters to the Independent Commission Against Corruption (ICAC).
On the eve of opening, the museum’s operating budget and Havilah’s concept for a 24-hour-activated landmark are being scrutinized by Treasury for savings. The cost of five exhibitions is tipped to exceed $70 million, including artist commissions and licensing fees.
The museum says only that its exhibition costs fell within its budget allocation of $62 million for fitout and transition.
Havilah was abruptly stood down on August 27, just weeks before the completion of the western Sydney cultural institution, pending the outcome of a departmental investigation into governance and procurement practices. The trust’s ICAC referral followed legal advice and concerns about contracts already under scrutiny as part of a formal misconduct inquiry involving Ki Community, a marketing agency co-founded by former Powerhouse trustee Mark Hassell.
As this masthead revealed, the museum awarded a $2 million contract to the boutique agency in February following a selective tender process in which Ki Community emerged as the sole applicant. Trustees subsequently declined to endorse the decision when it came before them in May.
ICAC referrals are statutory obligations handled in confidence and do not guarantee that an investigation will be launched. They also do not amount to findings.
However, the move coincides with a hardening resolve within the government to block Havilah’s return once the misconduct probe concludes, regardless of the outcome.
An arts-sector petition demanding her immediate reinstatement has drawn almost 800 signatures. The government considers it a distraction from the staff’s task of bringing the project to fruition and a misunderstanding of its broader obligations on public integrity, administration of public monies and due process.
Havilah has appointed commercial law firm Arnold Bloch Leibler, and extracts of her legal defence were published in The Saturday Paper, signaling a vigorous challenge to any adverse findings. Through her lawyers, Havilah has strenuously denied any wrongdoing and insisted she maintained the highest standards of integrity throughout her tenure.
“There has never been any suggestion of personal gain for Ms Havilah, and she has co-operated with the investigation process at all times,” a spokesman for Arnold Bloch Leibler said.
Havilah’s defence has noted that all contracts, including the arrangement with Ki Community, were covered by a conflict of interest declaration and signed off by independent probity advisers. Friends say she was blindsided by the suspension and devastated not to be present for the opening after committing years to the project.
The timing of those conflict of interest declarations is a key part of the inquiry.
According to multiple sources not authorized to speak publicly, Havilah’s polarizing micromanagement style alone makes a comeback unlikely, with fears that it created institutional bottlenecks and governance vulnerabilities. She is also understood to have lost the confidence of key NSW cabinet ministers over spending.
Broader spending flashpoints, such as a $2.5 million documentary commission and bespoke furnishings for onsite apartments, remain outside the formal terms of the misconduct probe. Officially, the capital works met budget expectations, with head contractor Lendlease absorbing losses and the fit-out landing within 5 per cent of projections.
Even before the opening, Treasury has begun pursuing savings in the operating budget, and some contractors have been given notice that their terms will expire and will not be renewed once the museum opens.
Appointed in January 2019, Havilah steered the project through an international design competition, two parliamentary inquiries and the tenures of three premiers. She became a lightning rod for community dissent as she shifted away from traditional museum display practices toward an event and spectacle approach aimed at screen-literate audiences.
Studio apartments, an overnight schools’ academy and flexible exhibition and commercial spaces were among her concepts, forming the core business case that justified the redevelopment. She maintained direct oversight of architectural commissions, fit-out specifications and curatorial programming, down to details such as the crushed-oyster wall finishes and terrace tiles.
British artist Es Devlin, responsible for the museum’s headline international show, credits Havilah with bringing her to the project. “I’m confused,” Devlin said of the fallout.
“I think she’s incredible.”
The departmental probe began in March 2025, when the Department of Creative Industries, Tourism, Hospitality and Sport launched an assessment following whistleblower complaints. Havilah was interviewed by corporate advisory firm Kroll in September, and a formal misconduct inquiry was launched later that year.
By April, she had been notified of more than a dozen allegations concerning external contracts, including alleged failures to disclose long-standing relationships, the structuring of procurement arrangements and management of conflicts of interest.
The department has not given a timetable for its findings, confirming only that investigators are pursuing multiple avenues. Few within government expect the matter to linger beyond this month.
“The matters being investigated are of a serious nature and involve multiple lines of inquiry,” the department said in a statement. “The Department has a responsibility to address these matters with due diligence and procedural fairness.
All reports of wrongdoing and public interest disclosures are taken seriously and actioned appropriately. As the investigation is nearing finalisation and no findings have been made, it would not be appropriate to provide further comment at this stage.”
The broader backdrop is ICAC’s Operation Landan, which exposed systemic subversion of recruitment and procurement rules within School Infrastructure NSW. Following corrupt conduct findings against that agency’s former chief, the Premier’s department committed to tightening public sector standards so that conflicts are declared immediately, managed strictly at arm’s length and re-evaluated over rolling contracts.
In the longer term, government and bureaucracy alike face uncomfortable findings regarding their oversight of a flagship project. Executive delegation limits are set to be overhauled, with clearer reporting lines drawn between the minister, the department and the institution’s future leadership.
For Havilah, a triumphant public debut for Powerhouse Parramatta may eventually ease a move into philanthropic foundations or the international gallery sector, particularly in London, where Devlin notes her standing remains high.
Students more than 1,000 kilometers away from Sydney will be the first able to sleep over at Powerhouse Parramatta. While The Mall is the first western Sydney-focused exhibition at the museum, other key items are worth looking for when it opens.
